The Devil Wears Prada: A Culinary Critique of Ambition
The Devil Wears Prada begins with a montage of women preparing for work. They select their clothes carefully. They apply makeup. They coordinate underwear, shoes, bags, and accessories. Their movements are meticulous because appearance is part of the professional language of their industry. Then there is Andy Sachs. Andy throws on whatever is available, grabs an onion bagel, and arrives at one of the most influential fashion magazines in the world without knowing anything about fashion, Runway , or Miranda Priestly. The film wants us to understand that Andy is different. She is intelligent, practical, and unconcerned with something as superficial as clothing. There is another interpretation. Everyone else prepared for work. Andy did not. She applied for a highly competitive position in an industry she had not bothered to research. She does not know who Miranda is. She cannot identify important designers. She later asks how to sp...